Your selections:
Re-assessing Arthur W. Upfield's Napoleon Bonaparte detective fiction
- Ramsland, John, Ramsland, Marie Ellen
Interrogating the idea of national detective fictions, or French detective fiction: what other type is there?
Reading and writing the primal crime scene: Fred Vargas's Dans les bois eternels
Mostly French: French (in) detective fiction
- Moghadam, Amir, Lovat, Terence
Anglicisms in German: tsunami or trickle?
Opening the field: deliberating over discipline
- Millei, Zsuzsa, Griffiths, Tom G., Parkes, Robert John
Citizenship: what citizenship?: using political science terminology in new discipline approaches
Masking Strategies: Unwrapping the French Paratext
- Rolls, Alistair, Vuaille-Barcan, Marie-Laure
Sex, sailors and colonies: narratives of ambiguity in the works of Pierre Loti
Nobbys, Newcastle: place, history, heritage, identity and performance
- Schaefer, Kerrie, Watt, David
Introduction: Unwrapping the French paratext
- Rolls, Alistair, Pratt, Murray
Continuing the conversation about discipline as a problem? A conclusion
- Millei, Zsuzsa, Griffiths, Tom G., Parkes, Robert John
Reel schools: schooling and the nation in Australian cinema
New employment actors: developments from Australia
- Michelson, Grant, Jamieson, Suzanne, Burgess, John
The Australian Fair Pay Commission: a new actor performing an old function
- Waring, Peter, De Ruyter, Alex, Burgess, John
- Lee, I-Fang, Yelland, Nicola
Communication joy: print journalists and the experience of flow
Are you sure you would like to clear your session, including search history and login status?